
My rating: 5 of 5 stars
Captain Blood is a delightful example of a romantic story that is so refreshing! And by romantic I don't mean a romance, which it kinda is, but a book representing romanticism, though it was written some 30 years after the peak of the movement. It is, of course, naive in some regards, featuring a romantic and idealistic pirate figure, but it's not naive in a crude and inexperienced way. It's idealistic in a way of old stories with knights and ladies. It takes the reality and subtracts ugliness, showing beauty people should strive for.
The language of the book reminds me of a iron-cast railing: filigree, intricate, elaborate. Rafael Sabatini definitely knew how to use the full potential of English grammar. I had read a translation years ago and I must admit that the original is so much better. Reading it enriched my English considerably.
Besides, it provided quite a variety of topics for one of my family's favorite pastimes - kitchen linguistics. For example, I haven't known that numerals used to look in English the way they still look in German: eight-and-twenty instead of twenty-eight, just like achtundzwanzig. I'm still having troubles wraping my mind about it and trying to imagine the tought process associated with this format. And this is only one example.
I read a few reviews accusing the book of racism and saying that there is too much of it for a book from 1920s. But they forget that the book is set in the seventeenth century, and though the character is purely fictional, a lot of the facts are not. The author follows historical events pretty closely and enriches the story with real events, sometimes setting them at slightly different times and places. And no, we can't really re-write the history. It was as it was, and there is no point in forgetting or denying it.
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